Kandinsky and the Biomorphic Abstraction (The Period of Paris)
Six paintings. One concept
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After the Nazis closed the Bauhaus of Berlin, where Kandinsky taught, he settled in Paris from 1934 until his death, in 1944.
His abstraction changed there: it was still pure abstraction, but instead of geometrical there was a predominance of irregular curves and biomorphic shapes. These shapes are "invented," unreal shapes, which recall weird animals, microorganisms, extravagant vegetables, primitive, embryonic forms of life.
That is why this stage of his work is called “the period of Paris” or the “biomorphic abstraction.”
Recommended links:
Kandinsky and the Return to Russia.
Léger and the Art for the Working Class.
The Suprematist Compositions of Malévich.
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